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this piece is composed by Kris Bergstorm, this video documented the process of learning Handtagonism v3 at Los Angeles Taiko Institute (taiko.la) during the coaching period of the 12 week course led by David Wells.

featuring Yeeman Mui on Ukulele and Jackeline Rago on Cuatro
Original Music: George Lam
Cantonese Lyrics: Cheng Kwok Kong

note from Yeeman: one day I sang this sweet little Canto love song to my dear friend Jackie, she really loved it and so she immediately translated it into Spanish and here we are! =)

(two days later Jackie also made this video during her class: https://www.youtube.com/watch?v=KaAwp...)

Lyrics in Spanish (translation by Jackeline Rago)
I
En la nave espacial
te llevere a pasear

y allí haremos
nuestro hogar

poder estar allí
hasta cumplir los mil

mi corazón
se derrite asi!

Chorus

Y si te tengo aqui
siempre seré feliz

contigo yo soy muy feliz

y estando juntos hoy
cada minuto voy

eres mi sol, mi oxigeno

II
y mi mejor vestido
para ti usare

me siento tonto
por ti

y por ti cualquier
cosa puedo hacer

comica o seria
por ti lo hare

25 Feb 2013

I like a lot of Canto Pop from the 90s especially this one. Amy Naylor ( https://www.youtube.com/amynaylormusic) and I are going to perform a Cantonese/English version of this song in England next month...

https://www.facebook.com/events/20922...

so here I am... practice practice practice!

A sweet song to celebrate my 27th birthday

This is a vocal warmup song I’ve learned from Sofia Lopez Ibor from San Francisco International Orff Level I 2011. This group has been practicing various vocal warmups in preparing for my original odaiko piece Gliding Dreams

www.yeemanmui.com

4/11/2015 (Saturday) UCLA Glorya Kaufman Hall
２０１５年４月１１日（土）UCLAにて
Program:
Spall Fragments:
Choreographer/Composer - Joe Small
Cast - Joe Small, Barry Brannum, Bevin Chan, Young Kang, Yeeman 'Manman' Mui, David Wells
Faculty Committee - Dan Froot, Janet O'Shea, Cheng-Chieh Yu
Lighting Designer - Arsenio Arpillanes
(From the website of the Kurayami Festival in Fuchu City, Tokyo).
Program Notes:
About the title, 'Spall' refers to the breaking of an object into smaller pieces through sustained friction or sudden collision. With such an image in mind, Spall Fragments meditates on the cause and effects of aggression-driven aspects and traits stemming out of American and Japanese masculine cultures and the physical and mental trauma therein. In doing so, Spall Fragments intends to send shrapnel out into taiko’s historically Japanese and masculine contexts as well as its globalized, transnational present.
There are many ways to consider the words 'Fragments' in the work, and I will offer one - as a taiko apprentice for professional artists in Japan, I underwent a physical and mental fracturing of my culturally ‘American’ self to engage with forms considered intrinsically ‘Japanese’. Under years-long periods of ascetic-like training that demanded unwavering dedication to idealized cultural values and bodily practices; I negotiated a dangerous and preposterously surreal contradiction: a ‘fragmented’ insider/outsider status demanding the erasure of the American bodymind identity (Chinese/Jewish-American) for a Japanese one. As additional irony, the cultural and socioeconomic upbringing, nationality, gender, and body-type that had granted me opportunities and access to pursue taiko professionally also served as proof of a lack of competence for my peers and superiors.
Spall Fragments was created over a six month period at UCLA, although the concepts for the work stem from the accumulation of journeys between the United States and Japan over the past thirteen years. While my name is listed as ‘choreographer/composer’, the cast has had tremendous input into the creation of the pieces and their efforts must be credited. Much of the material is wholly ‘original’, however, please note that much of it takes basis or influence in folk, classical, or contemporary performing arts of Japan (and elsewhere). As a means of de-mystifying the process and also acknowledging their base (to acknowledge where something comes from is high on the list of etiquette in the taiko community), I have included some minor notes in the credits. Thank you sincerely for attending tonight's performance. -Joe Small
Taiko?
'Fat Drum' in the Japanese language.
A means to invoke and evoke spirits/gods and natural phenomena,
Call for war or peace or somewhere in between … take your pick.
Small or large, they are LOUD. Or get there if you let ‘em.
A time-honored tradition spanning back however many generations you find necessary.
A neo-folk tradition - because we said so.
A wholly contemporary art with Japanese roots.
A global art form with Japanese roots...possibly uprooted?
A means to remember, empower, or assert identity (collective, cultural, gender, sexual, personal …)
Something that only Japanese can do.
Something that only Everyone - including You, can do.
________________
Spall Fragments is supported in part by funding through the UCLA’s The Department of World Arts and Cultures/Dance (wacd.ucla.edu/), and is presented through its MFA Upstart Series as the culminating project to fulfill Joe Small’s MFA degree in Dance. Spall Fragments is also supported generously through the donated use of professional-grade taiko drums, stands, and assorted instruments from Asano Taiko US (asano.us), the American branch of Asano Taiko Company Limited based in Hakusan, Ishikawa Prefecture, Japan - traditional handcrafters of Japanese drums and festival instruments since 1609. Additional funding came through individual supporters via the "Spall Fragments" GoFundMe campaign.

Second day of this week naname practice playing to this beautiful track by Faux Fir, "Work Suite" (Made of Oak Remix). It's so beautiful that, we decided to do it twice.

01. The Return Of Doctor Mysterio
02. The Pilot
03. Smile
04. Thin Ice
05. Knock Knock
06. Oxygen
07. Extremis
08. The Pyramid At The End Of World
09. The Lie Of The Land
10. Empress Of Mars
11. The Eaters Of Light
12. World Enough And Time
13. The Doctor Falls

Hat world. Get It..

Nostalgia:
“A sentimental longing or wistful affection for a period in the past”.
Or…
“Something done or presented in order to evoke feelings of nostalgia”.

LOS SOBREVIVIENTES ACHÉ

La transición


SINOPSIS:

Testimonial de ancianos y ancianas aché sobrevivientes al genocidio desatado entre los años 1970/1978. La difícil y dura adaptación a una vida extraña a la de uno mismo. La tristeza de haber perdido todo y quedar vivo sin nada. La transición de paleolítico al neolítico es el tercer documental que cierra la trilogía de Los sobrevivientes aché, dedicado a la memoria de los ancianos aché sobrevivientes.

Dirección Urbano Palacio
Producción Roberto Ayala Hornung Ceferino Kreigi

Breve video che mostra l'acqua in tutta la sua meravigliosa bellezza e con lo scopo di farci riflettere sulla sua importanza.Realizzazione del video a cura di Rosario Patanè, Documentary Films Production.

AltroQuando ( https://www.facebook.com/groups/altro...)
Magmanite ( https://www.facebook.com/groups/29970...)
Gioco di ruolo dal Vivo ( http://it.wikipedia.org/wiki/Gioco_di...)

Magmanite é una Campagna di Gioco di Ruolo dal Vivo
ambientata in un tardo ottocentesco e mondo parallelo dove la tecnologia meccanica ed a vapore hanno avuto un'evoluzione paragonabile a quella nostra.

Al centro di una serie di intrighi, complotti e disastri causati da una misteriosa e "magica" sostanza chiamata Magmanite é Threehorn (la Sicilia) Isola al centro di un conflitto militare e politico che coinvolge tutto il continente.

Il "Gruppo Giovani" del salone teatrale di San Paolo (Acireale) presenta un meraviglioso musical in 2 atti dal titolo "Per fare un principe" tratto da Aladdin.

Fun with corgis at San Francisco ocean beach for Nor Cal Corgi Con summer 2016.

Roy Mustang chasing after Rob.

Roy works hard for his toy.
Background noise is a Game Sack video.

She does this in her spare time.